Sweet 16

WE TRIED RESURRECTING some clattertrap projectors that haven’t been fired up in years and—with patience and careful tending—they roll. Last night we screened a triple-stack of 16-millimeter films from the archive (“Multiple Tube Bender,” “Springtime,” “Eureka Graduation,” “Canoeing Manitoba,” and others cycled in). Featuring Lucas Alm on bass. Playing both vids at once is a surprisingly good re-creation.

I’d love to emulate an installation at the Tate Modern, called simply “Film” (reviewed with good images here, though this New Yorker profile of the artist, Tacita Dean, was what hooked me). Maybe in a park or back alley this summer? We have operational gear. Now to find more footage, which is too rare to stumble upon anymore, alas.

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