Archive

Monthly Archives: August 2011

• Ways a moose could kill you
• The trail’s unfortunate acronym
• How I kind of wish I wasn’t getting text messages here
• Idea for a cutthroat tourism jingle for Grand Marais: “I can’t, I can’t, I can’t stand Lutsen” (apologies to The Police)
• People I forgot to invite to my wedding (eight years too late)
• Similarities between beaver dams and furniture forts
• Animal sex
• A world without the smells and sounds of two-stroke engines
• What won’t people carve their names in?
• Snakes feel you coming
• Those rare things in life that sharing may ruin
• A yearning to renounce civilization
• That what I know about wilderness survival could fit on the back of a business card
• Mortal fear
• Whether this would make a decent blog post

>> Slint – Breadcrumb Trail

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jnIT’S A TRUISM OF 8TH GRADE ART CLASS (AND EVER SINCE) that sketching faces is the hardest. Which makes sense with the evolution of face perception—how we’re born to read people through their faces, and interpreting expressions successfully has social advantages. When a face is drawn with details awry, even a little bit, it looks instantly, appallingly wrong. You don’t just fail to recognize the likeness, it offends your understanding of people. Or of the person, if you know the face. It’s most disorienting when you’re the person drawn. Portraits have been known to hurt feelings.

This is one of my better self-portraits, and I don’t love it. I over-emphasize eyes. And put them in the wrong places. If my subjects don’t look startled or quizzical, they seem stoned or asleep.

A good time to do portraits is when people’s heads are still, like when making art or playing cards. I drew some friends the other night (all wearing mesh caps as it happened; I wore a Stetson, as seen in Paul’s Witt’s sketch). As usj, nobody was very convinced of the likenesses, though nobody seemed offended.

 

ps

 

>> Black Lips – Don’t Mess Up My Baby
>> Tegan & Sara – You Wouldn’t Like Me
>> Dee Dee Warwick – You’re No Good
>> Small Faces — Song of a Baker

 

REALLY, YOU’VE BEEN A SUPER LANDLINE, 612-SCAM-LAB. But after 12 years, the world has changed. We’re totally different people now, people with expensive mobile data plans. It used to be so good—us huddling together around that old answering machine, tethered to your curly cord. But look at yourself now: bringing home solicitors at all hours, your once resounding ring gone feeble. And tell me, what is an “FCC approved line charge”?

We can’t support you anymore. So this is good…bye. (*sniff*)

>> The Rapture – Callin Me